It definitely sounds different, but in the same ballpark. It does the blackhole kind of thing really well but it's free. That'll tell you a lot about what to listen for.Īnd definitely grab Supermassive. Also don't overlook the description of each algorithm, (right in the interface when you hover). A day or two using them side by side should be enough to tell you if prefer one over the other. The shortest and easiest path to deciding if you think one sounds better than the other is to flip through a bunch of presets until you find a few you like, then adjust the parameters to tailor it to what you're after. The reverbs less realistic, but at the same time it has a lot of tricks up its sleeve thee other two don't. It can do reverb, and morph between reverb and delay. Our goal is to inspire you and help your work to flow. Were obsessed with creating powerful tools with simple interfaces. I'd also suggest not looking past Valhalla delay. We make digital reverb and analog-inspired delay plugins for musicians, engineers and other audio artists. They're both great, I don't find one to be better than the other, really just depends on if you want something more colored or more clean. I say loosely as its not modeling a specific vintage reverb, more like the sound of the converters and frequency bandwidth of reverbs from 2 "decades" plus a modern option, (70s, 80, and current.) Room is for clean algorithmic reverb, Vintage Verb as the name suggests is loosely modeling the sound of vintage reverbs. Both are great, each have their own purpose. Click to expand.As others said demo both.
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